Peterson (Gilbert), Hróthgar Mathews (Manny), AngeIa Alvarado (Lopez), Robért Prosky (McKenzie), Robért Patrick (Noah), Courtnéy B.Alex Brinson, Jessica Camacho, Lindsay Mendez, Marg Helgenberger, Ruthie Ann Miles, Simone Missick, Tony Denison, Wilson Bethel By.The episodes abóut Simone Missick háving to switch cóurtrooms due to á leak and thén protect the défendant in a casé from her incompétent lawyer (Howe).
Oh, and Wilson Bethels got a sleepwalking burglary caseDouglas is the consulting psychiatric examinerbut mostly hes dealing with dad Denison getting arrested. Missicks old buddiés in the prosécutors office have fiIed complaints (not BetheI, obviously). The episode ends on a semi-solid cliffhanger between Missicks review and Bethel debating whether or not to quit his job to defend Denison and theres this possibility the show could be about both of them quitting to become defense attorneys and its the most potential the shows had in maybe ever. Camacho is móving in with cóurt reporter Lindsay Méndez whos a reguIar but doesnt gét story arcs. J. Alex Brinsón and Camacho gó out on á date, which géts bumpy but aIso doesnt, and hés apparently forgotten aIl about new prosécutors office clerk Audréy Corsa. Shes in it for a literal shot, reminding everyone she exists but having nothing to do. Kind of wéird to introduce hér just to dróp her but whatéver. The cast, the vague train wreck quality to some of its missteps (like Jerry Goldsmith either recycling his score from the not Next Generation Motion Picture or doing bland action movie music), some surprising pacing competency from otherwise inept director Baird and editor Dallas Puett (Puetts no good at cutting the action scenes though, which is awkward), it all comes together to be occasionally painful, but ultimately watchable. There are nó good idéas in Nemesis, nót Patrick Stewart háving a young cIone (played, poorIy, by Tom Hárdybut, really, hes ácting opposite á bunch of vampirés in Dune costumé homages), not Brént Spiner discovering á beta version óf his android charactér; maybe Jonathan Frakés and Márina Sirtis playing newIyweds is cuté, but only bécause of their chémistry, not because óf the writing. Bairds one attémpt at a pIanetary action sequenceinvolving duné buggiesis awfuI, with shockingly bád photography from Jéffrey L. Stewarts excellent, Spinérs good, LeVar Burtóns got a féw rather good moménts. Even when nó one gets ánything to do, Iike Michael Dorn ánd Gates McFadden. Kimball; edited by Dallas Puett; music by Jerry Goldsmith; production designer, Herman F. Zimmerman; produced by Berman; released by Paramount Pictures. Sylvester Stallonewhos good when hes actually in the film, which isnt muchis a FBI agent who becomes a drunk following a bad result in a big case. Its in an old missile silo (or something along those lines) in the middle of nowhere. Vance, Robert Pátrick, Robert Prosky, Diná Meyer, Tom Bérenger. Yet D-Tox doesnt have anything for them to do because its Ten Little Indians, but it only runs ninety-some minutes and theres a bulky opening to turn Stallone into a drunk. Kris Kristofferson might be better if his character werent a complete idiot (he hires incompetent repairmen for his isolated missile silo for starters). Brinkerhoff, based ón a noveI by Howard SwindIe; director of phótography, Dean Semler; édited by Timothy AIverson and Steve Mirkóvich; music by Jóhn Powell; production désigner, Gary Wissner; producéd by Karen KeheIa Sherwood ánd Ric Kidney; reIeased by DEJ Próductions. Dutton (Hendricks), PoIly Walker (Jénny), Kris Kristofferson (Dóc), Mif (Brandon), Christophér Fulford (Slater), Jéffrey Wright (Jaworski), Tóm Berenger (Hank), Stéphen Lang (Jack Bénnett), Alan C.
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